Magda Tagliaferro: Complete 78-rpm Solo and Concerto Recordings
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Label: APR
Cat No: APR7312
Format: CD
Number of Discs: 3
Release Date: 4th September 2020
Contents
Works
Chants d'Espagne, op.232 » V Seguidillas
Suite espanola no.1, op.47 » III Sevilla
Fantaisie-Impromptu in C sharp minor, op.66Impromptu no.1 in A flat major, op.29
Waltzes (19)
» no.5 in A flat major, op.42
Estampes (3) » no.3 Jardins sous la pluie (Gardens in the rain)
Pour le pianoAndante in B flat major for violin and piano, op.75
Ballade in F sharp major, op.19
Impromptus (6)
» no.2 in F minor, op.31
» no.3 in A flat major, op.34
Violin Sonata no.1 in A major, op.13Danzas espanolas (12)
» no.6 Rondalla aragonesa
Piano Concerto in E majorRomance in A major
Sonatine in C major
Etudes (3), op.104b
» no.2 in F major
Kinderstucke (6), op.72 'Christmas Pieces' » no.4 Andante con moto
Scenes d'enfants » Jeunes filles au jardin
Suburbis » El carrer, el guitarrista i el vell cavall
Piano Concerto no.26 in D major, K537 'Coronation'Piano Sonata no.11 in A major, K331
» III Rondo alla turca
Piano Sonata no.18 in D major, K576 » III Allegretto
Piano Concerto no.5 in F major, op.103 'Egyptian'Faschingsschwank aus Wien (Carnival Jest from Vienna), op.26
Romances (3), op.28
» no.2 in F sharp major
Rondo brillante, op.62 J252Artists
Magda Tagliaferro (piano)Denise Soriano (violin)
Orchestre du Gramophone
Orchestre Lamoureux
Pasdeloup Orchestra
Conductors
Piero CoppolaJean Fournet
Reynaldo Hahn
Works
Chants d'Espagne, op.232 » V Seguidillas
Suite espanola no.1, op.47 » III Sevilla
Fantaisie-Impromptu in C sharp minor, op.66Impromptu no.1 in A flat major, op.29
Waltzes (19)
» no.5 in A flat major, op.42
Estampes (3) » no.3 Jardins sous la pluie (Gardens in the rain)
Pour le pianoAndante in B flat major for violin and piano, op.75
Ballade in F sharp major, op.19
Impromptus (6)
» no.2 in F minor, op.31
» no.3 in A flat major, op.34
Violin Sonata no.1 in A major, op.13Danzas espanolas (12)
» no.6 Rondalla aragonesa
Piano Concerto in E majorRomance in A major
Sonatine in C major
Etudes (3), op.104b
» no.2 in F major
Kinderstucke (6), op.72 'Christmas Pieces' » no.4 Andante con moto
Scenes d'enfants » Jeunes filles au jardin
Suburbis » El carrer, el guitarrista i el vell cavall
Piano Concerto no.26 in D major, K537 'Coronation'Piano Sonata no.11 in A major, K331
» III Rondo alla turca
Piano Sonata no.18 in D major, K576 » III Allegretto
Piano Concerto no.5 in F major, op.103 'Egyptian'Faschingsschwank aus Wien (Carnival Jest from Vienna), op.26
Romances (3), op.28
» no.2 in F sharp major
Rondo brillante, op.62 J252Artists
Magda Tagliaferro (piano)Denise Soriano (violin)
Orchestre du Gramophone
Orchestre Lamoureux
Pasdeloup Orchestra
Conductors
Piero CoppolaJean Fournet
Reynaldo Hahn
About
French training and Brazilian temperament are combined in the brilliant and passionate playing of Magda Tagliaferro (1893–1986) who regarded Cortot as her most important influence and teacher. Her friendship with Reynaldo Hahn inspired the composition of the Piano Concerto dedicated to her and its subsequent premiere recording is included here. Hahn’s conducting can also be heard in her little-known early Decca recording of the Mozart ‘Coronation’ Concerto.
Another significant premiere recording is that of the Fauré Ballade. Tagliaferro shows a real affinity with the composer’s music and indeed the recording of the First Violin Sonata with Denise Soriano won a Grand Prix du Disque in 1936, an award Tagliaferro had previously gained in 1930 for the Mompou disc also included here.
Another significant premiere recording is that of the Fauré Ballade. Tagliaferro shows a real affinity with the composer’s music and indeed the recording of the First Violin Sonata with Denise Soriano won a Grand Prix du Disque in 1936, an award Tagliaferro had previously gained in 1930 for the Mompou disc also included here.
Reviews
This well-rounded set argues for a more prominent position among 20th-century pianists than Tagliaferro has generally been accorded in the anglophone literature. It also affords the pleasure of hearing an artist whose every gesture seems deeply considered in performances that nevertheless exude spontaneity and the joy of making music. Patrick RuckerGramophone November 2020
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